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98th ANNUAL CONFERENCE | THE MUSIC ACADEMY MADRAS

Theme: Aesthetics and Synaesthetics : Reflections on Raga in Indian Art

ACADEMIC SESSIONS 16th DECEMBER 2024 - 1st JANUARY 2025

December 16, 2024 - Session 1

The Raga Adhara - Tambura


Vidvan RK Shriramkumar with Manikantan and Udayakumar, Tambura maker

December 16, 2024 - Session 2

Raga Unlimited: Nadasvaram Bani

Chinnamannur Vidvan Dr A Vijay Karthikeyan, Idumbavanam Vidvan V Prakash Ilayaraja

Day 1 of Academic Sessions | Article in The Hindu

Why the tambura and nagaswaram are crucial to Indian classical music

December 17, 2024 - Session 1

Encapsulating a Raga: Varnamettu


Sangita Kala Acharya Dr Ritha Rajan

December 17, 2024 - Session 2

Raga desriptions in the Brhaddeshi of Matanga

Dr V Premalatha

Day 2 of Academic Sessions | Article in The Hindu

The appeal of a tune and its ability to cross genres

December 18, 2024 - Session 1

Similar Phraseologies in Non-Allied Raga-s


Dr R Hemalatha

Day 3 of Academic Sessions | Article in The Hindu

An academic session at The Music Academy that highlighted phrases common in ragas

December 19, 2024 - Session 1

Kuttu Raga-s: Evoking the Character

Vidvan P. Rajagopal and Dr Hanne M. de Bruin

December 19, 2024 - Session 2

Between Page and Stage: Raga and Raga Music in Classical Literary Sources

Professor Naresh Keerthi

Day 4 of Academic Sessions | Article in The Hindu

Koothu met classical at The Music Academy’s lec dem session

December 20, 2024 - Panel Discussion

Hindustani raga-s in the karnatik repertory

Vidvan MA Sundareswaran, Dr Pantula Rama and Dr Subhashini Parthasarathy

Day 5 of Academic Sessions | Article in The Hindu

How Indian classical music got divided into Hindustani and Carnatic

December 21, 2024 - Session 1

An examination of ālāpa and ṭhāya


Dr Arathi Rao

December 21, 2024 - Session 2

Evocative Expressions of Mohiniyattam using Karnatik Music

Dr Neena Prasad

Day 6 of Academic Sessions | Article in The Hindu

A lec-dem at The Music Academy drew attention towards the improvisational forms of raga exposition in Carnatic music

December 22, 2024 - Session 2

Accompanying a raga - A percussive perspective

Vidvan K Arun Prakash acompanied by Vidushi Brindha Manickavasakam (vocal), Vidvan N Madan Mohan (violin)

Day 7 of Academic Sessions | Article in The Hindu

Classification of Carnatic ragas Abheri and Ahari, a historical perspective

December 23, 2024 - Panel Discussion

Lakshana and Lakshya: A contested relationship

Vidvan Bharath Sundar, Vidvan G Ravikiran and Vidushi Sriranjani Santhanagopalan

Day 8 of Academic Sessions | Article in The Hindu

Three young musicians explore the intricate bond between lakshana and lakshya in Carnatic music

December 24, 2024 - Session 1

The Abhinaya Sangitam of Kathakali: The blend of Raga and Bhava


Vidvan Nedumbally Ram Mohan and Vidushi Meera Ram Mohan

December 24, 2024 - Session 2

Raga’s changing nature across compositional forms

Vidushi Amritha Murali

Day 9 of Academic Sessions | Article in The Hindu

How certain ragas in Kathakali evoke specific emotions and serve dramatic purposes

December 25, 2024 - Session 1

Understanding a Raga through the interpretations of T Brinda and Dr S Ramanathan

Sangita Kalanidhi Dr S Sowmya

December 25, 2024 - Session 2

Notations for Niraval by Sangita Kalanidhi Kallidaikurichi Vedanta Bhagavatar

Sangita Kala Acharya Dr RS Jayalakshmi

Day 10 of Academic Sessions | Article in The Hindu

How stalwarts interpret a raga?

December 26, 2024 - Session 1

A Tuned Mridangam

Sangita Kalanidhi Tiruvarur Bakthavatsalam with Valangaiman Vidvan Navaneetha Krishnan – Mridangam Maker

December 26, 2024 - Session 2

Raga-s in 70mm – A Cinematic identity

Ms Subhashree Thanikalachalam

Day 11 of Academic Sessions | Article in The Hindu


How is the mridangam tuned?

December 27, 2024 - Session 1

Conceptualising an Abstract Raga

Sangita Kalanidhi TM Krishna

December 27, 2024 - Session 2

Staging Music: The unique case of Yakshagana

Vidvan Gururaj Marpally with Prof Deepa Ganesh, accompanied by Vidvan Shashikiran Manipal Bhagavath (vocal), Vidvan Koodli Devadas Rao (Maddalam) and Vidvan Nagaraj Barkur (Chende)

Day 12 of Academic Sessions | Article in The Hindu

T.M. Krishna on how one can recognise if a tune is a raga

December 28, 2024 - Session 1

Teaching Manodharma Sangita on the violin

Vidvan HK Narasimhamoorthy

Day 13 of Academic Sessions | Article in The Hindu


Know more about the element of Carnatic music that offers creative freedom to artistes

December 29, 2024 - Session 1

Tana: Its impact on raga grammar and aesthetics

Dr Jayanthi Kumaresh

Day 14 of Academic Sessions | Article in The Hindu

Jayanthi Kumaresh on why the tanam sounds particularly beautiful on the veena

December 30, 2024 - Session 1

Sarva Samarasa Kirtanaigalum Sanmargak Kirtanaigalum

Vidushi Sr Margaret Bastin

December 30, 2024 - Session 2

Raga-s as expressed in Padams and Javalis

Vidushi Geetha Raja

Day 15 of Academic Sessions | Article in The Hindu

How Carnatic music is moving towards inclusive sahitya

December 31, 2024 - Session 1

Tala Laya Sampradayam, Jaati, Nadai, Gathi and Jathi

Vidvan Parassala Ravi

December 31, 2024 - Session 2

Raga-s in Melattur Bhagavata Mela

Thiruvaiyyaru Brothers Vidvan S Narasimhan and Vidvan S Venkatesan

January 1, 2025 - Session 1

Open House Session

V. Sriram, Sangita Kalanidhi S Sowmya, Sangita Kalanidhi T.M. Krishna, Sangita Kala Acharya Dr. Ritha Rajan, Sangita Kala Acharya Dr. R.S. Jayalakshmi

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